Starting a book can be a pretty daunting task — especially if your goal is to write a fiction book that carefully reflects the life you’ve lived in some profound, poetic, literary way. However, if you really need to get your name in print, starting with a nonfiction book can be the perfect way to jumpstart your career.
Nonfiction is much easier to write and edit than fiction. There is less “creative justice” that must be served — though being creative certainly shouldn’t be dismissed — but that means that the editor won’t get caught up in ambiguous territory. Most nonfiction prose is pretty straightforward: that sentence isn’t parallel? Fix it. This chapter seems out of order? Move it around. This date is wrong? Change it.
The writing process also closely imitates that of a research paper. You do the research on the topic at hand, take close notes while doing so, and then you begin.
But, for many people, that’s where the “ummm, what?” faces start to form. How exactly do you begin? Here are 5 easy tips to get your first nonfiction book in print.
1. Figure out who you’re writing for
So, you want to write a book. You’re a natural-born writer, but the writing world seems like a catch-22, right? If you don’t have something published with your name on it, the big publishers won’t take you seriously.
That’s where considering a work-for-hire job can be useful. These kinds of jobs mean that you take the topic that the publisher assigns you, and you churn out the book for a set amount of pay. You don’t earn royalties on the book, but you do earn the invaluable experience of working for a professional publisher as well as an editor. Many fiction writers spend years working on their drafts, and they never see their work come to fruition (meaning they never earn a dime).
To find work-for-hire writing jobs or freelance writing gigs in general, check out Upwork and LinkedIn. I get messages on LinkedIn often about freelance opportunities, and you’d be surprised how successful this kind of networking can be. There are others, but as an editor for a publishing company that frequently hires work-for-hire freelancers, these are the ones I would recommend.
2. Research similar books on Amazon
Whether you land the work-for-hire job or you plan to start your book on your own, it’s important to be clear about what’s already on the market. For example, let’s say you want to write a book for young adults about bullying. The logical first step would be to type “bullying book for teens” or something of that nature into the Amazon search engine and to look closely at the first page of results. Take note of the titles (unless your publisher has already finalized the title in a work-for-hire circumstance) and use the “Look Inside” feature to browse the table of contents. What appeals to you? What kinds of topics are being covered? What appears to be missing? You may find areas that you wouldn’t have thought to include in your book, but your key is finding the missing stuff — what are people in need of that isn’t being given to them?
That’s the sweet spot, and that’s exactly what you need to capitalize on to make a name for yourself in the industry.
It can also be useful to test out questions on social media or to your target audience. You might come up with a list of questions like these:
- How prevalent is bullying in your life?
- What do you want to know about bullying?
- Do you have any personal stories regarding bullying?
- What do you think other people should know about bullying?
3. Draft up an outline
Once you’re comfortably familiar with what is already on the market, it’s time to draft up your outline. Again, some publishers might actually already have an outline for you to work from, but many won’t — they’ll expect you to come up with one yourself that the editor will approve.
I have seen many outline submissions myself, and I have a few do’s and don’ts:
- Format your document carefully.
- Include brief statements explaining what your headings mean.
- Be thorough — a half-page or even a one-page outline is lazy.
- Try to group things in threes — If Chapter 1 has 2 subheadings, do your best to come up with a third. In general, when things are grouped in threes, it feels more right.
- Make note of sources you have that might help with a certain section — this will help you in the long run.
- Do NOT send in an unpolished outline for an editor to review. You will drive me her crazy.
- Be sloppy.
- Include too many details — while a 6-page outline with paragraphs under each chapter heading might seem like a good idea, at the end of the day, the editor expects an outline review to take a short amount of time. If she has to sift through a 6-page paper, you’re making her life a bit more difficult than it needs to be. Keep your detailed notes in a separate document and only include short descriptors.
- Have underwhelming titles. Your goal is to impress and to have an outline that is as close to the finished product as possible. You will have leeway as you write, but do your best to brainstorm the best titles and headings.
- Leave out key information. This is why researching what is already out there is so important. Take careful notes of what everyone else is doing so that you know you aren’t missing something. If you’re writing a book about managing a restaurant and you forget to mention scheduling issues, you’ve missed the mark.
4. Stick to a schedule
I’ve seen it happen, and it’s not pretty. The deadline is at the end of the month, and you’re only one-third of the way there. While setting a writing schedule can be intimidating, do your best to plan a certain amount of time to work every single day. I would advise against a specific word count (I’m going to write 1,500 words every day), and I would steer you more towards a time-related goal (I’m going to sit down for 1.5 hours every day). The reason for this is that not all of the work you’re going to be doing is writing.
With nonfiction work, there’s a lot of research and documentation that needs to be done. Sometimes, you’ll find yourself sitting down and spending 30-45 minutes just reading the latest research. That doesn’t directly translate into a word count goal, but it does count toward the progress of your project.
The important thing is that you’re sitting down every day, and you’re progressively working toward the finish line. If you don’t keep up with it, you might find yourself being kicked off of the project, or worse, never finishing the book you set out to complete.
5. When you’re done editing, edit some more
This is particularly important if you’re not doing a work-for-hire job, but no matter how you slice it and dice it, it’s still key to producing quality writing. When you submit a manuscript to anyone, whether it be an agent, a publisher, or your editor, it should be, for all intents and purposes, an edited draft. There should not be any grammar or punctuation mistakes, the sentences should be coherent and well-formed, and there should be little to no thoughtless mistakes, such as the word “or” being “of” on accident.
An editor expects to fix things, but not careless mistakes. She expects to fine-tune — move this sentence here, add a paragraph here, create a hook there — not to be doing spell-check for you on what was supposed to be your final draft. Take pride in your work. Sure, you might be working for a miniscule paycheck, but your reputation is on the line. This is your stepping stone, and you’re making a name for yourself. Only submit work that you’re proud of, and you’re on your way to becoming a successful author.